Information for Prospective Directors for the 2020 Season

To apply to be a director at Playcrafters for the 2020 season, please submit your completed application for a specific show to:

Playcrafters
PO Box 1508
Skippack, PA 19474
Attn:  Directors
or
Scan and send it to playcrafter@gmail.com with the heading "Directors."

Download a Director’s Application by clicking here.

 Each application must include a producer who has accepted the role.  In the case of musical applications, a music director who has accepted the role also must be submitted at the same time.  No director can self-produce a show.

 Applications will be received until July 27, 2019, and they will be reviewed at the July 30 BOD Meeting.  Approved directors will be notified after that time as well as any non-selects.  If we do not have directors approved for all 6 shows at that time, applications will continue to be accepted and voted on by a rolling basis until we have approved director teams for all shows.  NOTE:  Each director is required to present a 10 MINUTE ONLY preview of their show at the October 25, 2019 "Taste of Tomorrow 2020" event.

 Tentative Lineup of Plays for the 2020 Season

March/April: Enchanted April by Mathew Barber
From the novel by Elizabeth von Arnim. Feeling lost in the shadows of marriage and forgotten in the rush of 1920s post-war society, two London housewives pool their savings to rent a villa in Italy for a ladies-only holiday away, reluctantly recruiting a pair of difficult upper-class women to share the cost and the experience. Together under the Mediterranean sun, the four women clash—and then begin to bond and bloom—until men once again upset the balance.


May : The Outgoing Tide by Bruce Graham
In a summer cottage on Chesapeake Bay, Gunner has hatched an unorthodox plan to secure his family's future but meets with resistance from his wife and son, who have plans of their own. As winter approaches, the three must quickly find common ground and come to an understanding—before the tide goes out. This drama hums with dark humor and powerful emotion.


June/July: Freaky Friday (musical) by Tom Kitt, Brian Yorkey and Bridget Carpenter
When an overworked mother and her teenage daughter magically swap bodies, they have just one day to put things right again. Freaky Friday, a new musical based on the celebrated novel by Mary Rodgers and the hit Disney films, is a heartfelt, comedic, and unexpectedly emotional update on an American classic. By spending a day in each other's shoes, Katherine and Ellie come to appreciate one another's struggles, learn self-acceptance, and realize the immeasurable love and mutual respect that bond a mother and daughter.


August: Wonder of the World by David Lindsay-Abaire
Nothing will prepare you for the dirty little secret Cass discovers in her husband's sweater drawer. It is so shocking that our heroine has no choice but to flee to the honeymoon capital of the world in a frantic search for the life she thinks she missed out on. It's a wild ride over Niagara Falls in a barrel of laughs as Cass embarks on a journey of self-discovery that has her crossing paths with a blithely suicidal alcoholic, a lonely tour-boat captain, a pair of bickering private detectives, and a strange caper involving a gargantuan jar of peanut butter, all of which pushes her perilously close to the water's edge.


September/October: Silent Sky by Lauren Gunderson
When Henrietta Leavitt begins work at the Harvard Observatory in the early 1900s, she isn’t allowed to touch a telescope or express an original idea. Instead, she joins a group of women “computers,” charting the stars for a renowned astronomer who calculates projects in “girl hours” and has no time for the women’s probing theories. As Henrietta, in her free time, attempts to measure the light and distance of stars, she must also take measure of her life on Earth, trying to balance her dedication to science with family obligations and the possibility of love. The true story of 19th-century astronomer Henrietta Leavitt explores a woman’s place in society during a time of immense scientific discoveries, when women’s ideas were dismissed until men claimed credit for them. Social progress, like scientific progress, can be hard to see when one is trapped among earthly complications; Henrietta Leavitt and her female peers believe in both, and their dedication changed the way we understand both the heavens and Earth.


November/December: A Little Night Music (musical) by Hugh Wheeler and Stephen Sondheim
Set in 1900 Sweden, A Little Night Music explores the tangled web of affairs centered around actress, Desirée Armfeldt, and the men who love her: a lawyer by the name of Fredrik Egerman and the Count Carl-Magnus Malcom. When the traveling actress performs in Fredrik's town, the estranged lovers' passion rekindles. This strikes a flurry of jealousy and suspicion between Desirée; Fredrik; Fredrick's wife, Anne; Desirée's current lover, the Count; and the Count's wife, Charlotte. Both men – as well as their jealous wives – agree to join Desirée and her family for a weekend in the country at Desirée's mother's estate. With everyone in one place, infinite possibilities of new romances and second chances bring endless surprises.